Calendar

Oct
15
Tue
Lunchtime Shorts: Reality? @ BCA
Oct 15 @ 12:00 pm

A program of some of the most interesting and varied international documentary shorts.
Your ticket includes lunch. Come up to the Loraine B Goode room on the 2nd floor of BCA, grab your sandwich and drink, sit down and watch the films.

The Lunchtime Shorts Series is sponsored in part by Middlebury College

Program curated by: Orly Yadin

No Ordinary Passenger

Director: Cabell Hopkins
UK | 2012 | Documentary | 8 minutes

Noordinarypassenger_WEB

86 years old and positively fearless, Stan Dibben recalls his hair-raising, tarmac-skimming career as a World Champion passenger.

Coffee Time

Director: Maria Fredriksson
Sweden | 2011 | Documentary
Run Time: 14 minutes

Coffee Time

A quartet of proper Swedish ladies of a certain age get together for a coffee klatch; they nibble on sweet cakes, sip from fine china and discuss all the usual things: viagra, cock rings and orgasms. Just like your grandmother used to do.

The Stitches Speak

Director: Nina Sabnani
India | 2011 | Documentary | 10 minutes
Sponsor: Documentary Educational Resources

Stitches-Speak

After

Director: Lukasz Konopa
UK | 2011 | Documentary | 7 minutes
Playing in the program Lunchtime Shorts: Reality?

After, Lukasz Konopa

Film about contemporary life in Auschwitz. In an observation from dusk to dawn, it portrays the theatre of everyday life around the grim confines of this former concentration camp.

Americanized

Director: Abhi Singh
USA | 2013 | Documentary | 4 minutes

Americanized

Irish Folk Furniture

Director: Tony Donoghue
Ireland | 2012 | Documentary | 8 minutes

IrishFolkFurniture

A animation film that explores a local craftsman’s restoration of a rural piece of furniture in a small Irish community.

Abuelas (The Grandmothers)

Director: Afarin Eghbal
UK | 2011 | Documentary | 9 minutes

Abuelas

In a small apartment in Buenos Aires a grandmother (abuela) is surrounded by reminders of the tragedy that befell her family during Argentina’s military dictatorship. Using real life testimonials from the Grandmothers of May Square the films is a testament to the tenacity of the women who conitinue to fight for the truth about their missing relatives.

The Bubbleologist

Director: Jan Bednarz
UK | 2012 | Documentary | 6 minutes

Bubbleologist

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Oct
16
Wed
Byzantium @ Black Box Theatre
Oct 16 @ 8:00 pm
Director: Neil Jordan
Ireland | 2013 | Fiction | English
Run Time: 118 minutes
Film source: IFC Films
GET TICKETS

Byzantium

Oscar-winning director Neil Jordan returns to the world of the undead, which he visited to great success with Interview with the Vampire in 1994. His latest, Byzantium, plumbs the sexual and psychological effects of vampirism on two ageless-but-young women whose unhappy craving for blood has rendered them unstuck in time and space. Eleanor (Saoirse Ronan, Oscar-nominated for Atonement) and Clara (rising star Gemma Arterton), by choice or by fate, must either succumb to their condition or risk their lives by seeking a cure. The world of Byzantium (the title refers to the run-down guesthouse in the faded resort town where Eleanor and Clara hole up) is rain spattered and neon-hued, vibrant in its sordidness and reflective of the characters’ razor’s-edge existence. Moody and bleak, yet shimmeringly beautiful, Byzantium is, on the surface, a vampire film, but, deeper down, a meditation on the ways that one’s choices in the past resonate in and shape the present – often with dire consequences.

Oct
18
Fri
Byzantium @ ECHO
Oct 18 @ 6:00 pm
Director: Neil Jordan
Ireland | 2013 | Fiction | English
Run Time: 118 minutes
Film source: IFC Films
GET TICKETS

Byzantium

Oscar-winning director Neil Jordan returns to the world of the undead, which he visited to great success with Interview with the Vampire in 1994. His latest, Byzantium, plumbs the sexual and psychological effects of vampirism on two ageless-but-young women whose unhappy craving for blood has rendered them unstuck in time and space. Eleanor (Saoirse Ronan, Oscar-nominated for Atonement) and Clara (rising star Gemma Arterton), by choice or by fate, must either succumb to their condition or risk their lives by seeking a cure. The world of Byzantium (the title refers to the run-down guesthouse in the faded resort town where Eleanor and Clara hole up) is rain spattered and neon-hued, vibrant in its sordidness and reflective of the characters’ razor’s-edge existence. Moody and bleak, yet shimmeringly beautiful, Byzantium is, on the surface, a vampire film, but, deeper down, a meditation on the ways that one’s choices in the past resonate in and shape the present – often with dire consequences.