Calendar

Jun
9
Sun
About 111 Girls (Darabre 111 Dokhtar) @ North End Studios
Jun 9 @ 5:00 pm

Director: Nahid Ghobadi and Bijan Zamanpira
Iraq | 2012 | Narrative | Farsi & Kurdish w/English subtitles
Narrative | 79 minutes
Film source: Global Lens

Global Film Series

FREE SHOWING

A government official, carrying a message from Iran’s president, travels across Iranian Kurdistan with his driver and a young guide on a mission to stop 111 young Kurdish women from committing suicide in protest against conditions that have left them spinsters. Racing against the clock, they travel into territory simmering with resentment at official neglect and the hardship it has sown among a proud people. Against a dramatically colorful physical and human landscape, wistful longing mingles with dreamlike desire and absurdist humor as the three travelers meander helplessly in a land riddled with contradictions.

About the Directors: Nahid Ghobadi was born in Baneh, Iran in 1964. She studied librarianship at Tehran University and film at Columbia College Hollywood, is a published poet and has directed nine short films and documentaries. About 111 Girls is her first feature film.

Bijan Zamanpira was born in Sanandaj, Iran in 1965. He studied Persian language and literature at Payame Noor University in Tehran and has directed eleven short films and documentaries. About 111 Girls is his first feature film.

A full “Study Guide” about the film, prepared by the Global Film Initiative, can be downloaded here PDF)

Oct
13
Sun
Hot Water @ ECHO
Oct 13 @ 6:00 pm
Director: Lizabeth Rogers & Kevin Flint
USA | 2013 | Documentary
Run Time: 82 minutes
Film source: Filmmaker
Also: Q&A with Lizabeth Rogers, moderated by Bill Stetson 

Hot Water

GET TICKETS
Hot Water tells the story of the contamination that runs through our air, soil and, even more dramatically, our water. Despite messages from older films, such as Fat Man and Little Boy and Duck and Cover, which led us to believe it was safe to eat, drink and breathe in the shadow of the atomic bomb, the reality is that our ground water, air and soil are contaminated with some of the most toxic heavy metals on the planet. The filmmakers begin in South Dakota witnessing communities overwhelmed by cancer from what they described as constant exposure to uranium from local mining interests. They then follow the story to Oklahoma to explain the economic model of the industry. Interviews with leading scientists and environmentalist such as Dennis Kucinich are interspersed with personal insights: “I took this journey because I was pissed off. I felt like an idiot because I believed the lies. I believed we were safe. I made this film because people need to know the truth.” – Lizabeth Rogers

Oct
14
Mon
A River Changes Course @ Film House
Oct 14 @ 5:45 pm

Director: Kalyanee Mam
Cambodia/USA | 2013 | Documentary | Cambodian w/English subtitles
Run Time: 83 minutes
Film source: The Film Collaborative

A River Changes Course

GET TICKETS
This mesmerizing film, in a refreshing departure from polemical envrionmental films, follows three Cambodian families – one living in a floating hut on the Tonlé Sap river, one dwelling deep in the jungle, and one whose daughter moves to Phnom Penh to work in a garment factory – as their world is transformed by forces beyond their power to control or understand. The cinematography and pacing gently transport us into their lives.

Director’s statement: ”My approach to documentary filmmaking has been to tell the human story rather than the politcal one [...] Filmmaking is about asking the right questions, not finding solutions and for me the best way to do this is to explore the lives of people and allow them to tell their own stories. The experts for me are the people themselves. When people in Cambodia view this film, it’s often their first opportunity to travel to different parts of the country. Those who live on the lake have never seen the jungle before. The people in the jungle have never seen people working in a factory. So this is really their first opportunity to see their country — how beautiful it is, how precious it is, and how important it is to preserve and protect that beauty”. Adapted from an interview in the Huffington Post.

AWARDS

World Cinema Grand Jury Prize-Best Documentary - Sundance 2013
Golden Gate Award-Best Documentary Feature – SFIFF

Bottled Life @ ECHO
Oct 14 @ 6:30 pm
Director: Urs Schnell
Switzerland | 2013 | Documentary
Run Time: 90 minutes
Film source: Rise and Shine
Sponsor: VT Council on World Affairs

Bottled Life, Nestle

GET TICKETS
Do you know how to turn ordinary water into a billion-dollar business? In Switzerland there’s a company which has developed the art to perfection – Nestlé. This company dominates the global business in bottled water. Swiss journalist Res Gehringer has investigated this money-making phenomena. Nestlé refused to cooperate, on the pretext that it was “the wrong film at the wrong time”. So Gehringer went on a journey of exploration, researching the story in the USA, Nigeria and Pakistan. His journey into the world of bottled water provides insight into the strategies of the most powerful food and beverage company in the world.

Awards

Winner: GreenMe Festival, Berlin

Presented

by
Jen Fleckenstein, Vermont Certified Class II Water Operator, Clear Water Filtration, and Board Member, Pure Water for the World, Inc.

Oct
17
Thu
Bottled Life @ ECHO
Oct 17 @ 3:30 pm
Director: Urs Schnell
Switzerland | 2013 | Documentary
Run Time: 90 minutes
Film source: Rise and Shine
Sponsor: VT Council on World Affairs

Bottled Life, Nestle

GET TICKETS
Do you know how to turn ordinary water into a billion-dollar business? In Switzerland there’s a company which has developed the art to perfection – Nestlé. This company dominates the global business in bottled water. Swiss journalist Res Gehringer has investigated this money-making phenomena. Nestlé refused to cooperate, on the pretext that it was “the wrong film at the wrong time”. So Gehringer went on a journey of exploration, researching the story in the USA, Nigeria and Pakistan. His journey into the world of bottled water provides insight into the strategies of the most powerful food and beverage company in the world.

Awards

Winner: GreenMe Festival, Berlin

Presented

by
Jen Fleckenstein, Vermont Certified Class II Water Operator, Clear Water Filtration, and Board Member, Pure Water for the World, Inc.

Wajma (An Afghan Love Story) @ Black Box Theatre
Oct 17 @ 6:00 pm

Director: Barmak Akram
Afghanistan | 2012 | Fiction | Persian w/English subtitles
Run Time: 86 minutes
Film source: Doc & Film International
Sponsor: The Caroline Baird Crichfield Fund

Wajma

GET TICKETS
Achingly realistic and immediately affecting, Wajma relates an age-old story through a neotraditionalist lens. It offers a fascinating portrait of conflicting middle class family values in contemporary Afghanistan. The title character (Wajma Behar) is a young Afghan woman with a bright future ahead of her – a future that is immediately called into question when she becomes pregnant before marrying. Her boyfriend, Mustafa (Mustafa Abdulsatar), is charming and loving, but only to a point, and his insensitivity puts Wajma in a dangerous situation. As one character puts it, Afghan society is far too “outdated” to offer any decent options to an unmarried, pregnant woman. Beyond its emotional rawness and fly-on-the-wall cinematography (which deliberately echoes that of many of the films of the Iranian New Wave), Wajma’s major achievement occurs at the narrative level. Two-thirds through the film, the story shifts its focus from Wajma and Mustafa to the young woman’s father, who is faced with a crisis of his own: punish his daughter for shaming his family, or care for the daughter he loves? In presenting multiple sides of a complex issue, Wajma demonstrates its acute sensitivity to the emotional realities of everyday life.


About the Director: Barmak Akram was born in 1966 in Kabul. He received diplomas from three major art schools in France, including the École nationale supérieure des Beaux Arts. Besides directing several short films and documentaries and two full-length features (Kabuli Kid premiered in 2008 at the Venice Film Festival), Akram is also a musician, songwriter, and composer.

Oct
18
Fri
Hot Water @ ECHO
Oct 18 @ 1:30 pm

Director: Lizabeth Rogers & Kevin Flint
USA | 2013 | Documentary
Run Time: 82 minutes
Film source: Filmmaker

Hot Water

GET TICKETS
Hot Water tells the story of the contamination that runs through our air, soil and, even more dramatically, our water. Despite messages from older films, such as Fat Man and Little Boy and Duck and Cover, which led us to believe it was safe to eat, drink and breathe in the shadow of the atomic bomb, the reality is that our ground water, air and soil are contaminated with some of the most toxic heavy metals on the planet. The filmmakers begin in South Dakota witnessing communities overwhelmed by cancer from what they described as constant exposure to uranium from local mining interests. They then follow the story to Oklahoma to explain the economic model of the industry. Interviews with leading scientists and environmentalist such as Dennis Kucinich are interspersed with personal insights: “I took this journey because I was pissed off. I felt like an idiot because I believed the lies. I believed we were safe. I made this film because people need to know the truth.” – Lizabeth Rogers

A River Changes Course @ Black Box Theatre
Oct 18 @ 6:00 pm
Director: Kalyanee Mam
Cambodia/USA | 2013 | Documentary | Cambodian w/English subtitles
Run Time: 83 minutes
Film source: The Film Collaborative

GET TICKETS
This mesmerizing film, in a refreshing departure from polemical envrionmental films, follows three Cambodian families – one living in a floating hut on the Tonlé Sap river, one dwelling deep in the jungle, and one whose daughter moves to Phnom Penh to work in a garment factory – as their world is transformed by forces beyond their power to control or understand. The cinematography and pacing gently transport us into their lives.

River-Changes-Course

Director’s statement: ”My approach to documentary filmmaking has been to tell the human story rather than the politcal one [...] Filmmaking is about asking the right questions, not finding solutions and for me the best way to do this is to explore the lives of people and allow them to tell their own stories. The experts for me are the people themselves. When people in Cambodia view this film, it’s often their first opportunity to travel to different parts of the country. Those who live on the lake have never seen the jungle before. The people in the jungle have never seen people working in a factory. So this is really their first opportunity to see their country — how beautiful it is, how precious it is, and how important it is to preserve and protect that beauty”. Adapted from an interview in the Huffington Post.

AWARDS

World Cinema Grand Jury Prize-Best Documentary - Sundance 2013
Golden Gate Award-Best Documentary Feature – SFIFF

Oct
19
Sat
Leviathan @ ECHO
Oct 19 @ 2:45 pm
Director: Lucien Castaing-Taylor, Verena Paravel
France | 2013 | Documentary
Run Time: 87 minutes
Film source: Chihuly Workshop
Sponsor: VT Energy Investment Corporation=

Leviathan

GET TICKETS
A groundbreaking, immersive portrait of the contemporary commercial fishing industry. Filmed off the coast of New Bedford, Massachusetts, Leviathan follows a hulking groundfish trawler, into the surrounding murky black waters on a weeks-long fishing expedition. But instead of romanticizing the labor or partaking in the longstanding tradition of turning fisherfolk into images, the filmmakers present a vivid, almost-kaleidoscopic representation of players, both human and marine. Employing an arsenal of cameras that passed freely from film crew to ship crew; that swoop from below sea level to astonishing bird’s-eye views, the film that emerges is unlike anything that has been seen before. Entirely dialogue-free, but mesmerizing and gripping throughout, it is a cosmic portrait of one of mankind’s oldest endeavors..

About the Directors: Véréna Paravel and Lucien Castaing-Taylor are filmmakers, artists, and anthropologists, who work at the Sensory Ethnography Lab at Harvard University. Their work is in the permanent collection of the Museum of Modern Art (NY) and the British Museum, and has been screened at the AFI, BAFICI, Berlin, CPH:DOX, Locarno, NewYork, Toronto, and Viennale film festivals, and exhibited at London’s Institute of Contemporary Arts, the Centre Pompidou, the Berlin Kunsthalle, and elsewhere.

Awards

Sevilla International Film Festival – Non-Fiction Eurodoc Award
Belfort International Film Festival – Grand Jury Award
Locarno International Film Festival – Fipresci jury award

Wajma (An Afghan Love Story) @ Black Box Theatre
Oct 19 @ 3:15 pm
Director: Barmak Akram
Afghanistan | 2012 | Fiction | Persian w/English subtitles
Run Time: 86 minutes
Film source: Doc & Film International
Sponsor: The Caroline Baird Crichfield Fund 

Wajma

GET TICKETS
Achingly realistic and immediately affecting, Wajma relates an age-old story through a neotraditionalist lens. It offers a fascinating portrait of conflicting middle class family values in contemporary Afghanistan. The title character (Wajma Behar) is a young Afghan woman with a bright future ahead of her – a future that is immediately called into question when she becomes pregnant before marrying. Her boyfriend, Mustafa (Mustafa Abdulsatar), is charming and loving, but only to a point, and his insensitivity puts Wajma in a dangerous situation. As one character puts it, Afghan society is far too “outdated” to offer any decent options to an unmarried, pregnant woman. Beyond its emotional rawness and fly-on-the-wall cinematography (which deliberately echoes that of many of the films of the Iranian New Wave), Wajma’s major achievement occurs at the narrative level. Two-thirds through the film, the story shifts its focus from Wajma and Mustafa to the young woman’s father, who is faced with a crisis of his own: punish his daughter for shaming his family, or care for the daughter he loves? In presenting multiple sides of a complex issue, Wajma demonstrates its acute sensitivity to the emotional realities of everyday life.


About the Director: Barmak Akram was born in 1966 in Kabul. He received diplomas from three major art schools in France, including the École nationale supérieure des Beaux Arts. Besides directing several short films and documentaries and two full-length features (Kabuli Kid premiered in 2008 at the Venice Film Festival), Akram is also a musician, songwriter, and composer.