A program of some of the most interesting and varied international documentary shorts.
Your ticket includes lunch. Come up to the Loraine B Goode room on the 2nd floor of BCA, grab your sandwich and drink, sit down and watch the films.
The Lunchtime Shorts Series is sponsored in part by Middlebury College
Program curated by: Orly Yadin
No Ordinary Passenger
Director: Cabell Hopkins
UK | 2012 | Documentary | 8 minutes
86 years old and positively fearless, Stan Dibben recalls his hair-raising, tarmac-skimming career as a World Champion passenger.
Director: Maria Fredriksson
Sweden | 2011 | Documentary
Run Time: 14 minutes
A quartet of proper Swedish ladies of a certain age get together for a coffee klatch; they nibble on sweet cakes, sip from fine china and discuss all the usual things: viagra, cock rings and orgasms. Just like your grandmother used to do.
The Stitches Speak
Director: Nina Sabnani
India | 2011 | Documentary | 10 minutes
Sponsor: Documentary Educational Resources
Director: Lukasz Konopa
UK | 2011 | Documentary | 7 minutes
Playing in the program Lunchtime Shorts: Reality?
Film about contemporary life in Auschwitz. In an observation from dusk to dawn, it portrays the theatre of everyday life around the grim confines of this former concentration camp.
Director: Abhi Singh
USA | 2013 | Documentary | 4 minutes
Irish Folk Furniture
Director: Tony Donoghue
Ireland | 2012 | Documentary | 8 minutes
A animation film that explores a local craftsman’s restoration of a rural piece of furniture in a small Irish community.
Abuelas (The Grandmothers)
Director: Afarin Eghbal
UK | 2011 | Documentary | 9 minutes
In a small apartment in Buenos Aires a grandmother (abuela) is surrounded by reminders of the tragedy that befell her family during Argentina’s military dictatorship. Using real life testimonials from the Grandmothers of May Square the films is a testament to the tenacity of the women who conitinue to fight for the truth about their missing relatives.
Director: Jan Bednarz
UK | 2012 | Documentary | 6 minutes
India | 1957 | Fiction | Hindi w/English subtitles
Run Time: 146 minutes
Film source: Gala Global
Sponsor: VT Council on World Affairs
Introduction by: Ken Wade
VTIFF is delighted to present Guru Dutt’s Pyaasa as a tribute to mark the 100th anniversary of Indian cinema. Pyaasa, a film found in both Time magazine’s and Sight & Sound’s 100 best movie lists – uses two familiar tropes – that of the starving-struggling artist and that of the prostitute with a heart of gold. Yet, both these narrative devices are reworked so thoroughly that the film ultimately becomes a statement about the poverty of thought and the hypocrisy of a crassly materialist society. Several film scholars consider Guru Dutt as India’s Orson Welles, producing, directing and starring in his own films. His use of chiaruscaro and acute close-up in Pyaasa were very innovative and avant garde for his time. Almost all scenes are shot either in tight, enclosed spaces, or through doorways and windows and framed by gates, arches, pillars and columns. This gives a sense of claustrophobia and constriction and symbolizes the constraints faced by the protagonist. Like most Bollywoood films, Pyaasa is full of memorable songs. But unlike most mainstream directors, Dutt integrates the songs into his narrative. To maintain realism, some songs are part of fantasy (or phantasmatic) sequences or expressions of characters’ emotions; other songs are filmed as poetry readings. Pyaasa was a huge box-office hit when it was released achieving a rare balance between personal artistic aspirations and commercial concerns.