Turns out, maybe colonialism isn’t so great after all. And Ena Sendijarevic’s magnificent Sweet Dreams, one of the best films of 2023, “captures the putrefaction of colonial rule with a morbid sense of humor” (Slant).
Set in the Dutch East Indies at the dawn of the 20th century, Sweet Dreams focuses on the aftermath of the death of a Dutch sugar-plantation owner. His widow summons their children from the Netherlands for the reading of the will, believing that the passing-on of the estate is a mere formality. Surprises await.
“Sweet Dreams is gorgeously shot, masterfully composed…its stylised storytelling never ceasing to captivate. Comparisons to films like The Favourite and Corsage are inevitable – these films have a great deal in common and sit neatly in the pantheon of great offbeat period pieces.” — Marina Ashioti, Little White Lies.
Beautiful to look at, but with acid running its veins, Sweet Dreams manages to find a tone that is both enraged and icily detached. There’s a formality to the proceedings, which are rendered with striking cinematography and sound/production/costume design, but Sendijarevic’s vision has plenty of room for playfulness as well, mixing wit and surrealism with its none-too-subtle message.
“Sendijarević and cinematographer Emo Weemhoff craft images so beautiful they’re unnerving.” – Stephen Saito, The Moveable Fest
The result is a ravishing movie with lots to say. This is just the second feature film from Bosnian-Dutch writer/director Ena Sendijarevic, and she is definitely a major talent to watch.