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Movies at Main Street Landing: Brazil

Tuesday, October 27th, 2015
7:00 pm
Category
VAMP
Film Type
Feature Film
Cost
FREE
Location
Main Street Landing Film House
60 Lake Street, 3rd floor
Burlington, VT

Terry Gilliam | UK | 1985 | 114 min

This 30th Anniversary screening of Gilliam’s classic will screen as part of the Movies at MSL series during the 30th Anniversary VTIFF film festival.

FREE – Donations welcome

Brazil constitutes Terry Gilliam’s enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema. Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. Gilliam ran into enormous problems with Brazil. Universal – which produced the picture – originally slated it for release in 1984, but the studio – intimidated by the film’s whopping length of 142 minutes – demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam’s insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work. Many critics regarded it at the time of release as the best film of the eighties and it is now a beloved classic.